The Golden Age d2 is like a clone of a shure sm7. Golden Age Project offers high quality gear suitable for anyone looking for that extra ingredient that makes all the difference. It has a consistent cardioid polar pattern for a low off -axis coloration and a good rejection of unwanted sounds. R1 MKII. When you buy products through links across our site, we may earn an affiliate commission. I bought one this month and it sounds really good. Here is an image to resuscitate this thread! I own and have owned many high end microphones (SM7B, RE20, Heils etc) but never a Golden Age Project (GAP) mic. Our old-timer, released over 15 years ago and still our bestseller! r/WeAreTheMusicMakers: DO NOT POST MUSIC OUTSIDE OF THE PINNED THREADS. Any word? HIghlights. Here is … I believe the D2 is a fantastic microphone that is every inch a peer of the most high end microphones in broadcast space. I can't compare it to a RE 20 or a Shure Sm7b, but I just had one here in the studio with an R1 Ribbon mic from GAP to make some samples for my blog. I have the BCD-1 and an SM7B and an SM7.....if i can get my hands on a D2 ill do a 4 mic shootout on my YT channel Obscure Mics. ... Golden Age Project is a Swedish company with almost 20 years of experience in the high-end audio field. The sibalance is much better, too, than the EV. And can it be used generally in the same way as an SM7b? A U-stand mount is attached. Its 2.5mV/Pa output is a little higher than other comparable large dynamics. Because I record in a small room that isn't isolated from noise in the kitchen, laundry room, heat pump outside the window, etc., I finally gave up on years of recording vocals with a condenser microphone (having to wait for planes to fly over, editing out noises, etc., in addition to the aforementioned) - my favorite being the iSK TRM11. Did you get those comparisons? The most surprising thing for me is that I don't need a pop filter - I can get right on top of it, though I don't sing really loudly or sputter into it like Liam Gallagher might. I own and have owned many high end microphones (SM7B, RE20, Heils etc) but never a Golden Age Project (GAP) mic. This D2 sounds pretty fantastic to me, and at $150 it's a SERIOUS competitor to the SM7B, if for the price point alone. Compared with those two, the D2 has about the same output as the SM58, and has a much more balanced and mellower tone than the other two dynamics, without sounding muddy or middy. The D2 is a high quality dynamic microphone with a full bodied sound and an excellent transient response. Here is what I've found: Updating this old thread in case anyone is in the market for a broadcast mic like I am now and are considering these mics. PRE-73 MKIII. Seems like it would be hard to do identical takes, since they're just about as directional as they come, haha. WeAreTheMusicMakers (WatMM) is a subreddit for hobbyists, professional … The latest version of our PRE-73 bestseller! COMP-3A JR. I didn't want to spend $350 on a shure (i know they're awesome...) cuz I'm saving up to have a project mastered. The body design is like a hybrid of EV RE-20 and Shure SM7B. Thanks for that update (even though I'm a year late in seeing it). Then went to the EV N/D767a, which had a tad brighter and higher decimal output than the SM58. First tried the SM58 and was truly blown away by how well it compared to a condenser, considering the vocal sitting in mostly an electronic music mix. Although no frequency response graph has been publihsed, the manufacturer states that the mic has a presence peak centered at 5kHz. I think I'm going to get it. Directional as they come, haha extra ingredient that makes all the difference ingredient that makes all difference. 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